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Petersburg indie rock talents on his own label,ShnurOK.

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A sociable presence on-stage, they performed with a jolly pluralistic cast of local musicians playing the tuba, saxophone, trombone, bass, guitar, drums, and bass drum, sometimes including accordion, contrabass, balalaika, xylophone, or musical saw.

Leningrad had become an establishment, frequently gracing TV and radio hit parades, and performing for audiences in the United States and Europe, often with more than 20 musicians on-stage. Petersburg bySergey Shnurov, two years later recording its debut, Pulya Bulletat the hands of legendary musician Leonid Fedorov, of the group Auktsyon.

For 's album, Hleb, Shnurov barked out more socially disparaging text and mockery, but went back to basics for 's Babie Leto Indian Summera rasping exaltation of bablo blingbukhlo boozeand babi bitches.

Leningrad band

Only after original singer Igor Vdovin left the group did they distinguish their sound through Shnurov's signature growl. Leningrad had clawed and elbowed its way into the mainstream, and though their outsider's message is confounded by the group's enormously marketability, they've made room for others to follow in their irreverent image.

InShnurov released personal projects and budding St. Their chief innovation, the incorporation of non-normative language such as slang and curse words into their lyrics, is unexceptional enough in execution, brutishly enunciated by Shnurov and accompanied by a large cast of musicians toting hefty horn and percussion instruments.

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The band did not enjoy immediate success, but became a local favorite through frequent performances. But, like with the work of postmodernist authors Vladimir Sorokin and Victor Pelevin of the same period, audiences found emancipation in their curses and colloquialisms, picked from the inexorable grime of their hometown, St.

Their release, Mat Bez Elektrichestvo Curses Without Electricityechoed Soviet kitchen gatherings called kvartirniks, infused with vodka-induced obscenity. That same year, Moscow mayor, Yuriy Luzkhov forbid the group from playing in his city, succeeding only in inciting thousands of fans to embark on musical pilgrimages to see the group perform in St.

(Leningrad) – (Not Paris) Lyrics | Genius Lyrics

And they weren't swearing just to swear; bad words cursed a society too closed to allow artists to dabble in the political, generously doling out criticism and ska-polka. Leningrad was formed in in St. The next three years marked a period of immense creativity for the group, which turned out three albums: Pulya showed the influence of Auktsyon's theatrical, horn-heavy madness and also the legacy of Russian chanson music.

InShnurov fostered a short-lived side project called Tri Debila Three Retards and in Leningrad joined artistic forces with the ska-punk band Spitfire recording Piraty XXI Veka Pirates of the 21st Centurya musical gnashing of the teeth over contemporary societal conditions and communist's nostalgia.