Flirtations: Rhetoric and Aesthetics This Side of Seduction on JSTOR Flirtations: Rhetoric and Aesthetics This Side of Seduction on JSTOR

Flirtations rhetoric and aesthetics this side of seduction, copy citation

As such, the essays give insight into themes and tropes related to flirtation, but also to seduction. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: Spanish calls any language un idioma and this is one way to understand the word.

Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act's relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure.

One can only talk about flirtation, thus goes flirtations rhetoric and aesthetics this side of seduction line of thought, once the line between the two, however blurry and fragile it might be, has been drawn.

Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical hilarious single girl jokes about ryan of view, the contributors toFlirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act's relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure.

In lieu of an abstract, here is a brief excerpt of the content: A renewal of theory should point toward reforms in the basic categories of intellectual work, indeed in the conception of intellectual activity as work, distinguishing between techniques and technologies, products and contents, acts and non-acts.

As the title of the book indicates, the primary object of inquiry is the relatively under-theorized field of flirtation and one of the most essential objectives of the study is an attempt to circumscribe its boundaries.

The series name gestures toward a conflict between the familiar and the foreign within a language; it seeks to remind us that the edge of every dialect including those dialects we call professional idioms and languages is an idiolect.

In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory.

The art of this poetic playfulness-often read or misread as flirtation's "empty gesture"-becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power. Inventing Writing Theory Series Editors: You are not currently authenticated.

In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory.

The main objective of the majority of the essays—most notably in the introduction by the editors of the book and the pieces by Paul Fleming and Lauren Shizuko Stone—is to define the contours of flirtation against the backdrop of seduction, as stated in the opening sentence: In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender.

Taking its cue from the nature of flirtation as an activity that requires more than one individual, the volume has six pairs of scholars engage in a written dialogue. Leaving aside some irritating but probably unavoidable repetitions of themes already outlined in the previous texts, the responses either complement nicely the arguments brought to the fore in the essays or challenge their premises in a constructive way.

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View freely available titles: The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right.

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The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. The context of the remains of the death penalty in the contemporary U.

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This volume, by turns deeply erudite and playful, effectively corrects this neglect. Cohen, Akeel Bilgrami Essays by major contemporary figures in political philosophy, anthropology, and cultural studies presenting an original reflection on the question what is a particular concept classic concepts in politics as well as newly politicized concepts and asking what sort of work a rethinking of that concept can do for us now.

The two requirements for books in the series are that they be theoretical in their approach and habit-breaking in their writing. In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender.

The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right.

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The essays in this volume address the under-theorized terrain of flirtation not as a subgenre of seduction but rather as a phenomenon in its own right. Developed through brief, lucid, and In contrast, flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender.

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It is this elusive and largely ignored territory of playing for play's sake that is the subject of this anthology. These are the singular idioms through which a single language delaminates, stretches, and multiplies. Idiom unshutters a venue for scholars to ask different and still profound questions in and around cultural critique, continental and Anglo-American philosophy, political, literary, art, and film theory, psychoanalysis, and other disciplines and discourses, using unexpected methods, in divergent modes of presentation.

Many readers, no doubt, will share the temptation to show the authors the new etchings in their collections.

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What is flirtation, and how does it differ from seduction? The art of this poetic playfulness-often read or misread as flirtation's "empty gesture"-becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power.

Comparative Literature

Flirtations stands as part of a series of works that seek to develop new modes of theoretical and critical idioms with a focus on theory and innovative critical approaches. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction.

Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: Every language has its own modes, rules, exceptions that make it one language and not another.

It is this elusive and largely ignored territory of playing for play's sake that is the subject of this anthology. Fordham University Press, It is this elusive and largely ignored territory of playing for play's sake that is the subject of this anthology.

Idiom: Inventing Writing Theory - Fordham University Press

Paul Fleming, Arne Hocker, Jaques Lezra, and Elisabeth Strowick examine in elaborate detail the significance of glances from a variety of angles. The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction.

In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: In historical terms, the particular question of flirtation has tended to be obscured by that of seduction, which has understandably been a major preoccupation for twentieth-century thought and critical theory.

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Within the series named Idiom, with Jacques Lezra and Paul North as series editorsFlirtations represents a rich and deeply researched addition, bringing the total for now to eight volumes. Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act's relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure.

Drawing on the interdisciplinary history of scholarship on flirtation even as it re-approaches the question from a distinctly aesthetic and literary-theoretical point of view, the contributors to Flirtations thus give an account of the practice of flirtation and of the figure of the flirt, taking up the act's relationship to issues of mimesis, poetic ambiguity, and aesthetic pleasure.

It is this elusive and largely ignored territory of playing for play's sake that is the subject of this anthology. Both the discourse and the critique of seduction are unified by their shared obsession with a very determinate end: The exchange of flirtatious gazes and glances between fictional characters is a further dominant theme in most of the essays.

Flirtations : Rhetoric and Aesthetics This Side of Seduction.

The counter-concept of flirtation has thus stood quietly to the side, never quite achieving the same prominence as that of seduction. In contrast,flirtation is the game in which no one seems to gain the upper hand and no one seems to surrender. Yet despite that contradiction, both texts are well worth reading, offering a fresh look at flirtation from an unexpected perspective.

Usually avoided as frivolous, lacking the disruptive grandeur of seduction or the power of the truly erotic, flirtation gets left aside as a minor social form.

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Flirtations makes an everyday practice and pleasure newly available to critical thought. The art of this poetic playfulness-often read or misread as flirtation's "empty gesture"-becomes suddenly legible as the wielding of a particular and subtle form of nonteleological power.

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